Viewing archives for Trips

Members of the QE Together partnership have now begun editing after spending two days filming in a Barnet primary school as part of a community outreach project.

A team from the partnership – consisting of senior pupils from QE and Queen Elizabeth’s Girls’ School – visited QE’s near-neighbour, Christ Church Primary School. The filming was the latest stage in a project that the team have been working on for several months to create a promotional video aimed at encouraging prospective parents to sign up for Christ Church’s nursery.

Lead Enrichment Tutor Kanak Shah said: “All the students – our boys, the girls from QEGS and the Christchurch pupils – did very well, and the little ones were adorable!”

The QE team comprised the 2023 School Captain, Darren Lee, and two of the 2023 Vice-Captains, Shuaib Adam and Anthony Bartlett.

Shuaib, of Year 13, explained that the QE Together team had first held meetings with Christ Church’s head, Mrs Elena Print, to map out ideas and plan the key messages of the video.

During the two days, the team thoroughly explored the school in their filming, as well as shooting B-roll footage (supplementary video) to support the visual story-telling at the heart of the film.

“We engaged with children, including those as young as nursery, guiding them to express the school motto [‘Through God’s love, we learn, aspire and achieve; we flourish’] and ethos. This collaborative effort not only enriched the visual narrative, but also provided an authentic perspective on the school’s values and identity.

“The experience so far has taught us many valuable skills, especially teamwork skills – both within our team and in collaboration with other schools – which has strengthened our capacity for effective communication, task delegation, and collective problem-solving. The cross-school collaboration has not only expanded our network for QE Together’s future, but also deepened our understanding of community dynamics and the importance of collective efforts.”

QE’s production at this year’s Shakespeare Schools Festival was uncompromising and unflinching in its depiction of the brutal feud between the Montague and Capulet families that is at the heart of Romeo and Juliet.

Crispin Bonham-Carter, Assistant Head (Pupil Involvement), lauded the vivid depiction given by the School’s senior actors of the dark themes that pervade the perennially popular tragic tale set in the Italian city of Verona – including depression, street brawls, domestic violence, duelling and poisoning.

Yet he also praised Year 10’s Dhruv Pai (Romeo) and Year 12’s Anshul Nema (Juliet) for their “sensitive and intelligent portrayals of the ‘star-cross’d’ lovers” immortalised in the title of the play.

The 19-strong cast drawn from Years 10–13 travelled to Finchley’s Arts Depot to take part in the local performances for the national festival, run by the Coram Shakespeare Schools Foundation. In addition, the boys put on three showings in Main School Hall, giving all of Years 10 and 11 the opportunity to see the play, which is part of the GCSE English syllabus.

“Two sullen gangs facing off… faces masked… hoodies up… suddenly a knife is drawn and all hell breaks loose! That was just the start of our brilliant senior drama production of Romeo and Juliet,” said Mr Bonham-Carter.

“The surrounding cast provided a wonderful supporting ensemble of raging fathers, desperate friends and loutish thugs. It would be churlish not to mention [Year 13’s] Keiaron Joseph’s outstanding Mercutio, who delivered one of the best ‘Queen Mab’ speeches* I’ve seen. That and [Year 12’s] Saim Khan’s convincingly thuggish Capulet – complete with gold necklace – almost stole the show!

“Special praise must go to the protagonists, Anshul Nema and Dhruv Pai: it can’t be easy falling in love in front of an audience of your school mates, but it is a credit to both the cast and the audiences how convincingly this was handled.

“All in all, a fantastic experience for all.”

Saim reflected afterwards on an “amazing experience” that encompassed making new friends across year groups, sharing funny moments in rehearsals when things went wrong, and getting to see a different side of people as they fully embraced their characters.

“Getting the chance to perform in front of all our friends and family at the Arts Depot, one of the best venues in Barnet, was a unique opportunity – a truly special day for all the cast.

“On a personal level, playing the part of Lord Capulet was fascinating, since I could explore the nuances in his character, and delve deeply into how quickly he turns from a caring, but slightly overbearing, father at the start of the play, to one who raised a hand to his own daughter towards the end of it.

“It also meant that I got to wear a rather flashy costume for the performance, complete with that large (sadly fake) gold chain!”

* In his speech, Mercutio teases his friend, Romeo, about an unrequited romantic infatuation for a girl called Rosaline, telling him that the mischief-making Mab, queen of the fairies in English folklore, has been infecting his dreams. Romeo later meets, and falls in love, with Juliet.

• Click on the thumbnail images below to scroll through photos from the production.

Year 12’s Technology students saw for themselves how start-up Batch.Works is using 3D printing as a true manufacturing technology by focusing on specialist design techniques and by automating its array of printers.

They learned how the company is pioneering a truly sustainable approach by recycling already-recycled materials to produce the plastic filament used by the printers.

And the 17-strong group had the chance to present their own design projects to Batch.Works’s Chief Industrial Designer, Liam Hwang.

Head of Technology Michael Noonan said: “This visit provided the Year 12 cohort with unique and exciting insights into a company that is at the leading edge of sustainable design and manufacture, using heavily recycled materials to help its customers reduce their carbon footprint, and thus making the circular economy a reality.”

Now operating out of London Fields, Hackney, and from Amsterdam (and with plans to open a base in Rotterdam soon), Batch.Works was founded by designer Milo Mcloughlin-Greening and digital fabrication specialist Julien Vaissieres.

It first made waves in its sector during the pandemic when producing PPE for East London hospitals from its then-home in Bethnal Green.

Recently awarded an innovation grant of £1.8m to create a network of manufacturing hubs that will use local recycled materials, Batch.Works is now investigating ‘urban mining’, the notion of turning waste streams into new products. It launched an equity crowdfunding campaign in September.

“Our students were absolutely thrilled to be told about the history, current works and future plans for the company by Dean Pankhurst, Design Co-ordinator at Batch Works,” said Mr Noonan.

“The company engages in specialist design for 3D printing, using the skills of industrial designers and project managers to enable a faster design-to-print lead time than most companies. Liam spoke about optimisation in design – how they alter designs to use ‘vase design’ principles so that no unnecessary bodies are created. As a result, unlike in other companies, at Batch.Works 3D printing can be used as a manufacturing technique, rather than only for making prototypes.

“Most impressive of all was that the company have themselves closed the loop of all the PLA filament they use, using recycling techniques on already recycled plastic: they are proud to use only 100% recycled materials in their work.”

During a tour, the boys first visited the company’s co-working room, where they saw technologies, collaborative techniques and methodologies similar to those which they use in their own product design work.

“Next, they were shown into the wildly impressive plant room by Dean and Liam,” said Mr Noonan. “The room contained 40 3D printers, some of which could print items as large as 1 metre square. Many of these were stacked on server cabinets, and the designers had impressively ‘hacked’ the G code [the most commonly used 3D-printing programming language] which drives the printers to turn them into automated 3D printing machines that could work around the clock. This means the rate at which the designers can prototype and manufacture is unrivalled.”

The boys were given an overview of the company’s projects and clients, from commercial giants such as M&S, to smaller medical companies and furniture businesses seeking sustainable design solutions. They were able to peruse prototypes that Batch.Works had created, including medical devices, personal hygiene products and headphones.

“It was at this point that the students began to ready themselves for their own presentations, as Liam had kindly agreed to take in the students’ presentations on their own recent vacuum cleaner projects. These, in fact, utilised many of the prototyping techniques with which he was familiar from his own studies in Product Design at the RCA and Central St Martins.”

Each pupil had five minutes to present, followed by two or three minutes of questions and direct feedback from Liam on their designs.

During the presentations, all other students were linked into a scoresheet via MS Teams and could score their peers using a system of comparative assessment. Liam and Mr Noonan had casting votes.  “Aniththan Kugathasan, Kiaron Lad and Aadish Praveen were crowned champions, earning a hearty round of applause for their superb presentation and an especially well-finished prototype.”

Liam told Mr Noonan: “The skills these students have in terms of presentation and CAD certification is very impressive – much closer to what we see from interns and graduates than from A-level students.”

Hundreds of QE boys have been enjoying new experiences and testing their limits on a series of trips.

First, 72 Year 10 pupils headed off to Wales for a three-day weekend with the Outward Bound Trust and then all of Year 7 and Year 9 made day trips to the Stubbers Adventure Centre in Essex.

Crispin Bonham-Carter, Assistant Head (Pupil Involvement), said: “These trips, which are part of our QE Flourish enrichment programme, are all about boys getting out beyond the classroom and beyond Barnet.

“They can try out new activities, bond with their existing friends – and, of course, have lots of fun! For our incoming Year 7 boys especially, it’s also a great opportunity for them to make some new friends.”

Among the pupils on the Outward Bound trip to Aberdovey was Year 10’s Tuhin Mitra. “I really enjoyed it,” he said. “You can step out of your comfort zone and learn important skills, including how to safely do dangerous activities. It also boosted my confidence while undertaking scarier activities, as I became more comfortable around heights.

“Personally, I enjoyed the water activities the most: my favourite was gorge-walking, as I was in direct contact with nature’s forces,” said Tuhin, adding that he also relished the chance to spend more time with friends and the opportunities to talk with others, especially those in his dormitory.

During their long weekend on the Welsh coast, as well as the gorge-walking, Tuhin and his peers experienced canoeing, raft-building and horizontal rope climbing.

Mr Bonham-Carter said: “The boys leapt (often quite literally) into the different challenges – with the occasional helping hand from their friends or the instructors. They even survived the five-hour coach journey.”

A second group from Year 10 is due to make the trip to Aberdovey in May next year.

Activities at Stubbers, near Upminster, included climbing, canoeing, archery and laser tag, mostly enlivened by the injection of a little healthy competition.

The trip was for the entire year Year 7 and Year 9 cohorts. Each year group was split across visits on two separate days, with Broughton, Harrisons’ and Leicester forms heading east to Essex on one day, and Pearce, Stapylton and Underne making the trip on another.

Boys on a Sixth-Form theatre trip explored one of the seminal moments in modern Indian history – the 1948 assassination of Mahatma Gandhi.

Twenty-two Year 12 boys and their teachers went on the History department trip to the National Theatre to see The Father and the Assassin.

It tells the story of Hindu nationalist Nathuram Godse, who went from being a loyal follower of Gandhi and his non-violent methods to becoming his killer.

History teacher John Haswell said: “The play explores the conflicting narratives and complex desires of those involved in India’s struggle for freedom, and how Gandhi’s vision of an integrated nation of Hindus and Muslims clashed with the vision of others, including that of his assassin, who saw Gandhi’s integrationist ideals as a betrayal to his Hindu nationalist vision of a free India.

“For some of our students, the characters and individuals on stage were familiar through their own engagement with Indian history. Indeed, for some, the play was a portrayal of a more personal history, as family members may have experienced both the fight for independence and the horrors of partition.”

Regardless of their background, the visit enhanced all the boys’ understanding of Indian independence, showing how competing visions of a post-colonial India clashed, Mr Haswell added. They also appreciated the unique power of theatre to bring such ideas to life.

“The play also echoes beyond India, and speaks to conflicts elsewhere in the world where seemingly irreconcilable world-views collide.”

Written by Indian playwright Anupama Chandrasekhar, The Father and the Assassin premiered at the National last year. It completes its second run there this month.

After the visit, the boys, all A-level History students, gave their reactions. Joel Kidangan Justine said: “This was my first time to the theatre, and I’m amazed by how well they are able to capture the story of Indian independence in such a clever and interesting way.”

Kyshaan Ravikumar described the play as “an enticing reimagination of the struggle for Indian independence”, while Vaibhav Gaddi praised “a captivating story that sheds light on the story of Nathuram Vinayak Godse”.

Year 9 boys relished the opportunity to watch a dramatic modern production of Macbeth, complete with witches portrayed as forensic scientists, fight scenes enhanced with special effects, and the spilling of copious amounts of blood.

The visit by the whole year group over three days was only the latest in a series of QE trips to the Globe: in the last three months, more than 400 boys and staff have travelled down the Northern Line to see Shakespeare plays at the modern reconstruction close to the site of the 17^th-century theatre.

Head of English Robert Hyland said: “Allowing all of Year 9 to see the play they are about to study, performed in its original venue, is an exciting and invaluable opportunity. Macbeth is a play about the pursuit of power, the temptation of ambition, and what happens when both of those things are abused by those who are unsuitable to lead – themes which are incredibly relevant to the world we live in today.”

“Theatre is often about creating a sense of spectacle, and our students were treated to a visually exciting performance – from the modern costumes of the actors, to the ways the actors moved in and out of the audience, and finally culminating in dramatic and bloody fight scenes, our students were able to enjoy an experience which only live theatre can truly provide.”

By watching the play, the boys quickly gained a good understanding of stagecraft and dramatic techniques, while the specific setting of the Globe helped them understand the contexts in which Shakespeare’s plays were originally performed.

“Walking into the Globe for the first time can give you goosebumps as you look around the space and imagine Shakespeare himself performing the same words over 400 years ago,” said Mr Hyland.

Other recent trips to the Globe have been to see two comedies: A Midsummer Night’s Dream and The Comedy of Errors, set respectively in the ancient cities of Athens, Greece, and Ephesus, in modern-day Türkiye (Turkey).

The altogether darker Macbeth, often known euphemistically as ‘the Scottish play’ because of the superstition that surrounds it, found an appreciative audience with the QE Year 9 visitors.

Vihaan Bhadra said: “The play truly took us into the mind of Macbeth, with a perfect mix of theatrics and suspense. The actor was able to show the different stages of Macbeth, ranging from victory, through guilt, to complete madness.”

Other comments from the boys included:

• “I liked the modern take on the play – it made it more relatable and brought the entire range of characters to life.” Sarang Nair
• “Seeing characters like the porter portrayed as a security guard, or seeing the witches portrayed as forensic scientists made the performance much more understandable and accessible, and really developed our interest.” Neelesh Fotedar
• “It was an exhilarating experience to enjoy such an interesting play in such a clear and enjoyable manner.” Arhaan Yadav
• “Breathtaking and engaging.” Krish Deebak
• “The engaging acting of the characters made the play come to life. The interaction with the audience gave the play a sense of fun.” Tanush Madadi
• “Going on this trip helped me understand and enjoy the historical significance of the Globe Theatre.” Zahin Khan.