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From the very first notes played by the Indian and Guitar ensembles in their Wednesday morning breaktime appearances through to guest pianist Béla Hartmann’s closing bars in the Friday night gala concert finale, the opening festival for QE’s new Music building was a feast of high-quality performance.

The three-day extravaganza marked the official opening of The Friends’ Recital Hall and Music Rooms by showcasing both the talents of the School’s young musicians and the new multi-million-pound facilities themselves.

And in celebration of the expanded extra-curricular opportunities the state-of-the-art building will provide, a string of professional musicians were invited in to give talks, to lead masterclasses and to perform.

Headmaster Neil Enright said: “I am very happy to say that the festival was a great success, with many, many memorable moments, two magnificent evening concerts and a splendid atmosphere over the three days. All in all, this was a very worthy way to inaugurate this significant addition to our facilities, with participants truly rising to the occasion.

“Music is really flourishing here at QE, and the department now has the facilities it needs to support the teaching of the Music curriculum for all pupils, as well as the extensive range of extra-curricular music that enriches the QE experience for so many of our boys.

“My congratulations go to our Director of Music, Ruth Partington, her Assistant Director, James McEvoy-Stevenson, Music teacher Caroline Grint and the small army of peripatetic teachers who have all helped the boys reach such high levels of performance.”

The new building received the go-ahead in 2019 after the School’s application for a £1.2m grant and £1m loan from the Department for Education was successful. It has been completed with extensive financial support from the Friends of Queen Elizabeth’s (FQE) and through fundraising by the boys, including the Pianoathon held last summer to help pay for new upright pianos for the seven practice rooms. Pride of place in the recital hall goes to the new Yamaha CF6 grand piano, valued at just under £75,000, which was purchased by the School’s Foundation Trustees.

In addition to the Music facilities, the complex features a covered atrium for boys to use at lunchtimes and breaktimes which incorporates the new Mayes Atrium Café.

“My heartfelt thanks go once again to all those in the Elizabethan community who have donated to FQE and thus made possible this exciting project,” said the Headmaster.

The first day of the festival saw the breaktime performances by the Indian Ensemble and Guitar Ensemble, with lunchtime slots filled by Junior Jazz and the Jazz Band. In the afternoon, GCSE and A-level Music students, along with selected musicians from other Music groups, enjoyed talks by three Old Elizabethans and professional musicians: Rhys Bowden (1996–2003), an operatic tenor who teaches singing at QE; composer Richard Collins (2005–2012), and violinist Simon Purdy, who teaches the instrument at the School.

Day two saw the Junior Strings perform at break, with Junior Winds and Senior Winds both in action at lunchtime. The afternoon was taken up with masterclasses for the Pianoathon winners and for members of Junior Jazz and the Jazz Band led by pianist and improvisor extraordinaire, Harry the Piano.

The evening saw Harry perform in concert in his inimitable style, with pre-concert and interval music provided by the Junior String Quartet, Sax Ensemble and Trumpet Ensemble. Two of the School’s star musicians, Year 8’s Noah Morley and Conor Parker-Delves, of Year 13, even had the chance to shine alongside Harry, performing improvisations with him.

On Friday, the 160-strong School Choir gave the breaktime performances, enjoying the experience of all being together – something that was not possible in the old Music department. Lunchtime appearances were by the Orchestra and Senior Strings. Afternoon masterclasses for élite musicians were given by award-winning international pianist Béla Hartmann.

The final evening brought the Festival Concert, which was arranged particularly to demonstrate the acoustics of the recital hall and the capabilities of the Yamaha grand piano. The Senior Vocal Group played during the Headmaster’s Reception for donors and other VIP guests; the pre-concert welcome music came from the Saxophone Quintet and music during the interval was provided by the Senior Piano Trio and Senior Violin Trio.

The concert’s main line-up featured a piano duet and piano, viola, cello and saxophone solos by the boys, as well as a first-half appearance by pianist Tadashi Imai, resident accompanist at the Royal Academy of Music and a piano teacher at QE. There were also appearances by the Jazz Band, Chamber Choir, Junior Violin Trio and Year 13 Flute Trio, before Mr Hartmann brought the concert programme and the festival to a conclusion. The repertoire ranged from Beethoven Chopin, Mendelssohn and Ravel to lesser-known composers such as Jules Demersseman and Carl Bohm, with one soloist, Jao-Yong Tsai, of Year 12, playing a sonata that he had composed himself.

After QE hosted the qualifying round of a national chamber music festival – the first competitive event to be held in the new Friends’ Recital Hall – ensembles from the School went on to further success in the later stages of the competition.

Six groups reached the semi-final of the Pro Corda National Chamber Music Festival for Schools – a total exceeded by only two other schools nationally – and two of the QE ensembles went all the way to the final at Millfield School in Somerset.

Director of Music Ruth Partington said: “All of the chamber musicians who took part in this year’s Pro Corda competition should be exceptionally proud of themselves. Not only did they perform with great musical maturity at the highest level, but the groups that progressed through the rounds demonstrated a remarkable ability to respond directly to the feedback given by the adjudicator in the masterclass sessions and improve each performance.”

In 2020, the festival final due to be held in March was cancelled because of the looming pandemic. All that year’s finalists, including QE’s Saxophone Ensembles, were named the 2020 Chamber Champions. 2021’s festival was largely called off, again because of the pandemic.

Ten ensembles entered this year’s qualifying round held in The Friends’ Recital Hall – part of QE’s £3.5m-plus new Music School, which will be officially opened next month.

Among them, the Year 13 Flute Trio certainly caught the judges’ attention: they were described as having given “a simply outstanding performance”.

Pro Corda Chief Executive Officer and Artistic Director Andrew Quartermain wrote afterwards to Miss Partington and Music teacher Caroline Grint to offer his “huge congratulations for what you have achieved with the chamber music in the school (at any time, but most especially after these recent times!).”

The festival had been honoured to be among the inaugural users of QE’s “wonderful new hall and facilities”, he wrote. “Great students, great day, great company – thank you!”

Of the ten, the trio and the following five other ensembles reached the semi-final, held at Charterhouse School in Surrey:

• Senior Piano Trio
• Piano Quartet
• Junior Violin Trio
• Saxophone Quintet
• Junior Violin Trio

Only the independent Sevenoaks and Perse schools saw more ensembles qualify for the semi-finals nationally. QE’s semi-finalists are pictured, top.

The two ensembles which then reached the final at Millfield were the Junior Violin Trio and the Saxophone Quintet.

The trio were one of five groups competing in the U14 category. The trio comprises: Year 8 pianist Shreyas Iyengar; violin 1, played by Jamie Lam, of Year 7, and violin 2, played by Alex Kronabetter, of Year 8.

There were also five groups in the Saxophone Quintet’s U19 category. The five musicians were: Conor Parker-Delves, of Year 13, playing the soprano saxophone: Leo Sellis, of Year 9, playing the baritone saxophone; Suraj Cheema, of Year 12, playing the tenor saxophone; Leo Dane-Liebesny, of Year 12, playing the alto saxophone, and Nathan Woodcock, of Year 11, also on the alto saxophone.

“Our musicians also presented themselves – and the School – in a totally professional manner, appearing at ease on stage, introducing their repertoire with confidence, and bowing to acknowledge the audience’s warm applause after their performances,” said Miss Partington. “Whilst it wasn’t a win this year for QE’s chamber musicians, to have two groups make it through to the final is an enormous achievement in itself, particularly given the context of difficulties of music-making over the last two years. Bring on next year’s competition!”

Five QE musicians of different ages have had their talents recognised at a national level, being chosen to participate in a number of National Youth orchestras and bands.

Among the Sixth Form, Raphael Herberg (Year 13) and Jao-Yong Tsai (Year 12) have been playing with the National Youth Orchestra (NYO); whilst Conor Parker-Delves (Year 13) has maintained his involvement in the National Youth Jazz Orchestra (NYJO), being elevated to first tenor saxophone in the NYJO Big Band.

Year 10 trumpeter Joel Swedensky is part of the National Youth Concert Band, and Ryuki Watanabe (Year 9) has passed his audition into the National Children’s Orchestra.

Director of Music Ruth Partington said: “I congratulate the boys on their notable achievements. Being selected to participate in these nationally-acclaimed orchestras and ensembles places them alongside the finest young musicians in the country. Practising and performing in these environments will only help them further as they progress in their musical development.

“I am also pleased that, following audition, Conor has been offered a place at the highly competitive Royal Northern College of Music to study saxophone when he leaves QE this summer, and Raphael has been offered a place to study Music at Clare College, Cambridge.

“The senior boys are fantastic role models for those younger in the School and already give a great deal of support and guidance to others.”

On his unconditional offer to study at the Royal Northern College of Music, Conor said: “I am really looking forward to study among like-minded individuals who are as passionate about playing music as I am. Being a part of the music programme here at QE since Year 7 has helped me immensely in getting used to a competitive environment where music is cherished and performed to a high standard. I look forward to pushing myself as far as I can, hopefully reaching a professional standard and sharing my experiences with younger students, taking inspiration from the brilliant teaching staff here at QE. ”

Raphael joined with the national Youth Orchestra this winter, as they expanded the strings section. “We played some fantastic music, including Rachmaninoff’s Symphonic Dances and Ravel’s La Valse, and had the opportunity to perform at the Barbican. I am also incredibly excited to be offered a conditional offer for Music at Clare College, Cambridge. I am looking forward to studying music in such an inspiring environment, as well as exploring the huge range of extra-curricular opportunities available.” Alongside the cello, Raphael is a highly accomplished pianist, and also sings in the choir, chamber choir, and barbershop group at QE.

Raphael joined Jao-Yong Tsai, who navigated two rounds of auditions. “I was delighted when I found out that I had been given a place” said Jao-Yong. “Thus far, I have participated in one residency, culminating in a performance in the Barbican in January. What I have tremendously enjoyed is the extremely high standard of the ensembles, and the exhilarating feeling of playing as part of such a large orchestra. I wish to continue my music-making, through the Sixth Form and beyond, whether it be with the department at QE, the NYO or at university when the time comes.”

Joel, who says he was first alerted to the opportunities to audition for national ensembles when he was in Year 7, has been part of the National Youth Concert Band over the past couple of years, following an audition process that involved having to record himself playing a mix of both set pieces and his own choices. His first involvement came during the pandemic: “Two years ago there was only a virtual event over half term, last year luckily we could go in person for a week in the summer holidays. Going forward, I would like to look at other bands such as the NYO (I’m doing NYO Inspire soon) or the National Youth Brass Band.”

Ryuki, who plays the violin, noted that the School had given him experience of playing in different sized ensembles, as well as in prestigious competitions. “My trio got to the final of the Music for Youth Chamber Music competition and I have played in the Pro Corda Chamber Music competition in both a quartet and a quintet. I aim to take Grade 8 and then try to get into more big orchestras.”

Performance music at Queen Elizabeth’s has received a further boost with this term’s opening of the new £3.5m Friends’ Recital Hall & Music Rooms, intended to support widespread participation and excellence.

Headmaster, Neil Enright, added: “With over 20 different ensembles and around 160 boys in the School’s choir, extra-curricular involvement in music continues to be a hallmark of the QE experience. In bringing music into the heart of the campus through these new facilities, we are enabling more opportunities for the boys to learn, rehearse and perform. I have no doubt that this will support other boys to emulate Raphael, Conor, Jao-Yong, Joel and Ryuki’s great achievements.”

The Autumn Term ended in seasonal style, with the parish church echoing to the traditional sounds of the carol service and with the Christmas lunch proving more popular than ever.

The Service of Nine Lessons and Carols featured not only congregational singing of familiar favourites, but also some lesser-known Christmas music from the School Choir and Chamber Choir. Senior staff and boys from throughout the School delivered the readings, culminating in Headmaster Neil Enright reading the Prologue to St John’s Gospel.

Christmas lunch was served to all who requested it – and well over 800 boys and staff took up the option of hand-carved British turkey with all the trimmings (or a vegetarian alternative), with yule log or Christmas pudding to follow, as well as other treats from the catering team. The figure is believed to be a record, in recent years at least.

For Years 10 and 11, there was the added bonus of eating the meal in the pristine surroundings of the Mayes Atrium Café – part of the new Music School complex, which is due to be officially opened next term. The facility, built on the site of the previous Mayes Building, is named in honour of Harry ‘Curly’ Mayes, who served the School as butler, porter, steward and caretaker for 60 years, from 1902 to 1962.

Mr Enright said: “These festive traditions are an important facet of life at Queen Elizabeth’s School, and I am pleased that we were able to go ahead with them this year, albeit with measures put in place to protect everyone as the national Covid situation changed rapidly in the run-up to the end of term.”

The choral pieces at the carol service included:

• In the stillness, by Sally Beamish
• Masters in this hall, to an old French melody arranged by Gustav Holst
• Gaudete from Piae Cantiones, arranged by Michael Engelhardt
• Angelus ad virginem, a 14^th-century Irish carol, arranged by David Willcocks
• Tomorrow shall be my dancing day, by John Gardner
• O little town, by Bob Chilcott, arranged by Daniel Bishop.

The congregation sang: Once in royal David’s city; O, Come all ye faithful; Away in a manger God rest you merry gentlemen, and Hark! the herald angels sing.

Twelve of the School’s best and most committed pianists took their places to celebrate the eagerly awaited delivery of pianos to the new Music School.

With the Yamaha CF6 grand piano taking pride of place, seven new upright pianos and four refurbished pianos were arranged in The Friends’ Recital Hall, centrepiece of the £3.5m-plus facility.

Twelve carefully selected pupils – chosen for their talent as pianists, but also their commitment to music at QE – were invited to be the first to play the instruments in their new home.

Led by Year 13’s Raphael Herberg at the keyboard of the Yamaha CF6, the boys performed The Twelve Pianos of Christmas, a version of the festive favourite that Raphael had specially arranged for 12 pianos.

Headmaster Neil Enright said: “The boys revelled in the opportunity to spend some free time with these wonderful pianos, swapping around to try the different instruments and then enjoying the chance to perform together.

“This event was an important milestone in the delivery of this major project. We are on to final snagging now, with boys to begin using the recital hall and The Friends’ Music Rooms – the classrooms and practice rooms – next term.

“We are very grateful to the Foundation Trustees for purchasing the CF6 and to all those who have supported the Friends of Queen Elizabeth’s in raising funds for the other new pianos, not least in donating to the Pianoathon and Virtual Founder’s Day celebrations this year. These developments and the amazing opportunities that they enable us to provide for the boys just wouldn’t happen without the support of the Elizabethan community.”

The 12 Pianos of Christmas performance saw each piano take one of the twelve ‘lines’ or ‘parts’, with the sounds building up and coming together, so that, by the end, all were playing simultaneously.

The occasion was attended by the Headmaster, Director of Music Ruth Partington, Assistant Director James McEvoy-Stevenson, Music teacher Caroline Grint and piano teacher Tadashi Imai, all of whom took part in the process of selecting the CF6 grand. Other attendees were David Halford, of Coach House Pianos, from where the new pianos were purchased, and some of those working on site.

An opening festival for the Music School is being planned for early February – details to follow – all things being well!

The four pianos that have been refurbished were all brought across to the new building from the original Friends’ Music Rooms, which were one of the first facilities to be established in the 1990s thanks to giving through the Friends of Queen Elizabeth’s. “The pianos’ longevity is testament to our long-standing policy of ‘buying quality,” added Mr Enright.

The pupils involved, who include three sets of brothers, were:

Raphael Herberg, Year 13
Conor Parker-Delves, Year 13
Shivas Patel, Year 13
Alex Woodcock, Year 13
Jao-Yong Tsai, Year 12
Arjun Patel, Year 13
Keir Parker-Delves, Year 11
Nathan Woodcock, Year 11
Danylo Gutsulyak, Year 11
Jason Tao, Year 10
Zeyuan Wu, Year 10
Rajveer Mukherjee, Year 12

No fewer than 13 different ensembles performed as the School’s musicians came together for QE’s first major in-person concert since December 2019.

The Christmas Concert in the Shearly Hall featured scores of instrumentalists and singers tackling a programme that, although based around a festive theme, was very eclectic in nature.

Headmaster Neil Enright said: “It really was a wonderful evening of very high-quality music, and performers and audience members all seemed to hugely enjoy being back together for the first time in two years. My congratulations go to our Director of Music, Ruth Partington, and her team on a splendid concert.

“There were many highlights, with the Jazz Band maintaining their customary high standards – including amazing saxophone solos! – and the Orchestra taking on some challenging works.

“The Indian Ensemble’s piece, Dhanashree Thillana, went down really well, as did the Guitar Ensemble’s rendition of Ozzy Osbourne’s Crazy Train. The inclusion of such repertoire in the programme amply demonstrates the importance of making space for different genres and sounds, while also showing very clearly that performance music can be fun.”

Boys introduced some of the pieces, acting as hosts for the concert: for example, Year 13 Orchestra clarinettist Conor Parker-Delves explained the story of Berlioz’s Symphonie Fantastique, preparing the audience for the moment when the guillotine falls towards the end of the piece.

“Several of the ensembles were rehearsed by pupils – and judging by the performances, they did a great job,” Mr Enright added.

“The large numbers of participants in our junior ensembles, such as Junior Strings, was very noticeable: their involvement bodes well for the future.

“Such enthusiasm and, indeed, the success of this concert as a whole gives us strong momentum to take forward for the opening of our Music School, planned for next term. Of course, the new facility should itself further participation and excellence in performance music.”

The School Choir and Orchestra brought the evening to a traditional conclusion with the carols,  Once in Royal David’s City and Hark, the Herald Angels Sing.

Queen Elizabeth’s School marked Black History Month with a diverse range of special activities both inside and outside of the classroom that drew lessons from the past, while also saluting those building a path today towards a better future.

One undoubted highlight was the online assembly given to the Sixth Form by Roni Savage ­(pictured above) – engineering geologist, founder of a multi-million pound construction industry consultancy, multiple award-winner…and a QE mum.

Headmaster Neil Enright said: “We sought to provide lots of different opportunities during Black History Month to ensure that our boys could, in the words of a BHM slogan, ‘dig deeper, look closer, think bigger’, coming up with an array of innovative ideas. These ranged from our Lower School History Raiders group researching ancient Black kingdoms and civilisations, to Year 7 PE lessons promoting sports in which athletes have either faced racism or have changed the world due to their participation, such as basketball, boxercise and indoor athletics.

“I am especially grateful to Mrs Savage, who, as a Black woman working at a high level as an entrepreneur in construction, is a true pioneer in her industry, with an impressive list of achievements and accolades to her name. She has certainly proved people wrong who doubted her because of her race, gender and age.

“And she inspired our sixth-formers with her injunction to ‘stand up, stand out, stand tall’ and her insistence that ‘there are no limits to what you can achieve’ with hard work and talent.”

Mrs Savage, whose son, Jayden, is in Year 13, is the founder of Jomas Associates, a large engineering and environmental consultancy, and Policy Chair for Construction within the Federation of Small Businesses. She is a Fellow of both the Royal British Institute of Architects and the Institute of Civil Engineering, and is on the current UK Powerlist of Britain’s most influential people of African/Caribbean heritage.

Her message was that diversity is vital to the capacity, capability and sustainability of all sectors, but that to achieve it, the status quo, with its harmful stereotypes, must be challenged.

Here is a selection of the many activities and initiatives that took place at the School as part of this year’s Black History Month:

• A discussion in MedSoc (Medical Society) of the work of Malone Mukwende, who as a second-year medical student at St George’s, University of London, developed a book to help doctors diagnose skin rashes and diseases on black and brown skin, addressing decades of racial bias in medical education;
• The Year 9 Shakespeare Film Club watching Othello and discussing the racial issues in the play, as raised in a British Library article;
• Publication of a special Black History Month (and COP26) issue of the Economics department’s magazine, Econobethan;
• Cancellation of all Music rehearsals one lunchtime, with the pupil team from the Music Enrichment Society instead giving a presentation about Black musicians. Pictured, above, are boys giving a special performance ahead of the talk;
• Year 9 had a special Depicting Jesus Philosophy, Religion & Society (PRS) lesson, which focused on different representations of Jesus, including those from the Ethiopian Church and Rastafari traditions, and on the use of images of white Jesus for imperialist ends;
• Year 8 geographers started a new, permanent unit on Migration towards the end of October, with a first homework task linked to Black History Month.

Boys from Years 7–10 relished the opportunities offered to them during Enrichment Week 2021, when all four year groups were given a day off from their normal lesson timetables.

From the cerebral and scientific challenge of cryptography to the literary, emotional and rhetorical attractions of Shakespeare, the week featured a very diverse range of activities designed to be both stimulating and fun.

For Year 10, the brief was to work in groups to design and construct ‘wearable architecture’, using 6mm paper tubes.

Assistant Head (Pupil Progress) Sarah Westcott said: “The boys were asked to give consideration to form and structure. Many of the groups demonstrated good team-working skills, with some of them even managing to include moving parts.”

Year 10 were also involved in drama workshops that included performances of a heavily abridged version of Romeo and Juliet.

Year 7 enjoyed the chance to apply a little lateral thinking in an RAF cyber security challenge.  This STEM (Science, Technology, Engineering & Mathematics) activity involved tackling a series of cryptography and coding tasks and helping a company retrieve its stolen data from cyber criminals. Working in teams of six, the boys competed against each other and against the clock, battling to be the first to unlock the stolen data.

The task helped inform them about ‘phishing’ and other techniques used by criminals to compromise their targets’ data.

Originally the day was to be led in person by RAF personnel, but because of Covid restrictions, the School managed it virtually, starting the day with a live stream through YouTube in which the boys were given an outline of their tasks and an overview of the importance of cyber security. Funded by the RAF, the event was run in collaboration with the Smallpeice Trust, an educational charity promoting careers in science and engineering to young people.

“We wanted to raise awareness of digital careers, whilst developing students’ problem-solving and research skills,” said Dr Westcott. “Students found it challenging to work to time and benefitted from the need to think creatively to solve problems whilst coordinating their team’s efforts.

“The event was intended to give an insight into the types of skills required for careers in cyber-forensics. The boys discovered that it isn’t all about coding – you must be a collaborative member of a team and keep a cool head under time pressure, too.”

In addition, Year 7 flexed their vocal cords in a singing workshop, while Years 8 and 9 took to the countryside on their respective sponsored walks.

Scores of the School’s young musicians battle it out today in a competitive Pianoathon Challenge being held to raise money to buy pianos for the new Music School.

Each of the School’s Houses has been challenged to provide an hour of sound, with small teams of musicians and soloists playing for up to three minutes each: the result should be six hours of non-stop music in the Main School Hall.

The event has been arranged as one of the special events taking place to celebrate tomorrow’s Founder’s Day.

Director of Music Ruth Partington said: “This is part of our last big push to ensure that our brilliant new Music School is equipped to the highest standards when it opens in the autumn. Thanks to the generosity of the School’s Foundation Trustees, we have already secured the purchase of a superb grand piano for our new recital hall, but that still leaves seven new practice rooms all needing a high-quality piano – and that is what we are raising money for today.

“If you haven’t already donated, please give now, sponsoring your House, or your son’s House, via our dedicated eQE Pianoathon page. This is a real first for QE and promises to be a thrilling event: let the playing commence!”

Parents and friends can watch the musical action unfold live in a special YouTube broadcast (above), which can also be viewed on the eQE page and via the Music department’s YouTube page.

Each House has entered small teams comprising up to five musicians – including at least one pianist – to play music of their choice. There is a visiting guest adjudicator, Mr Huw Jones, Director of Music at The John Lyon School in Harrow, who will be helping to pick the winners in the various categories, which cover team and solo performances (both for each year group and overall), also including a prize for the Best House Overall. Houses that raise large amounts of money will also have the opportunity to have one of the new pianos named after them.

Today’s musical menu chosen by the boys includes a rich range of genres and styles, and features instruments ranging from violins to electric guitars, and from oboes to tablas. Here is a small selection of the repertoire to be heard, House by House:

• Broughton: Canon in D, Pachelbel; Étude op 10 no. 12 ‘Revolutionary’, Chopin; Peppa Pig theme
• Harrisons’: Es war einmal, Grieg; Downton Abbey theme, John Lunn; Samba Nights, Proudler
• Leicester: Attack on Titan Opening Theme 1, Sawato; Merry Christmas, Mr Lawrence, arr. Sakamoto; I See Fire, Ed Sheeran
• Pearce: Sonatina in C major, Kuhlau; Opening Night Jazz, Martha Mier; Sonata No. 3, Prokofiev
• Stapylton: Romanze Op. 28, Schumann; Sonatina Movement 1, Dušek; Toccata in G minor
• Underne: Pink Lady, Pam Wedgwood; Prelude in C-sharp minor, Rachmaninoff; Your Song, Elton John.

The £3.5m-plus Music School, which is currently in the final stages of construction, received the go-ahead in 2019 after the Department for Education accepted the School’s £2.2m bid, which consisted of a £1.2m grant and £1m loan.

Like all major improvements at the School over the past two decades, the project is relying on the generous financial support of the Friends of Queen Elizabeth’s and other benefactors. Pride of place in the building will go to the Yamaha CF6 grand piano in the recital hall, which was chosen by the Music Department after a week-long audition process. Valued at just under £75,000, it is being paid for by the School’s Foundation Trustees.

For those without an eQE account, donations can be made to each House’s total by clicking on the relevant name: Broughton; Harrisons’; Leicester; Pearce; Stapylton; and Underne.

The portentous ‘dun dun dun duuun’ opening notes of his 5th Symphony are recognised everywhere, but just what is it that accounts for the enduring popularity of Ludwig van Beethoven?

That is the question which Surya Bowyer, QE’s Head of Library Services, examines in the latest episode of The Queen’s Library Roundness podcast.

He drafted in some local expert help – Ruth Partington, the School’s Director of Music, and Caroline Grint, Music teacher – in his exploration of the significance of the iconic German pianist and composer in the musical canon.

“2020 marked the 250th anniversary of Beethoven’s birth in Bonn,” says Mr Bowyer. “Around the world – from London to Melbourne and Shanghai to Sao Paolo – events which had been planned over many months, and, indeed, years, in concert halls and music venues to celebrate his works, in that symbolic year, had to be cancelled.”

Apart from the Nokia ringtone, (Gran Vals by Francisco Tárrega) those opening four notes of ‘Beethoven’s 5th’ – which form the title of the podcast – are probably the best known musical “motif” of all among the general public. And this is attributable, not to concert-going necessarily, but to their ubiquitous use in advertising and films. Yet would this suffice to explain the exceptionally high regard in which Beethoven is still held?

Miss Partington and Miss Grint discuss Beethoven’s acknowledged legacy as the composer whose composition spanned the transition from the classical period to the romantic era, and question whether he was truly ground-breaking in the way he is often presented.

The podcast covers the difference expectations held of composers such as Joseph Haydn and Wolfgang Amadeus Mozart, who were court composers, and Beethoven who, while receiving a stipend, had more freedom. They explore the effect this had in a number of ways, including the duration of his symphonies.

The discussion ranges over whether Beethoven was a musical genius, or a talented musician and composer who happened to be about at the right time, with a rising middle-class who could afford to attend music concerts and the emergence of music critics. It also touches on whether Beethoven would recognise his own work as it is played now on modern instruments.

“The way in which Beethoven and his music are written about leads us to listening to him using the terms that are ascribed to him,” says Miss Grint. “Because we expect universality, we find it, we read the meaning into it. Instrumental music is seen as having universality because it doesn’t tell a story using words, it’s more metaphysical.”

Miss Partington believes Beethoven’s continuing popularity lies in the powerful emotions he evokes. “I’m not a fan of working-out meaning,” she says. She believes there is a mystical element to music, and that it should not be pigeon-holed.

But whether a genius, or a man in the right place at the right time, there seems little doubt his legacy will endure, from the ‘low brow’ – car advertisements, for example – to the distinctly ‘high brow’, such as performances at top music venues, the three concluded.

• The Dun, dun, dun, duun episode of the Roundness podcast is available from the Library pages of the eQE online platform and from normal podcast providers, including Acast, Apple Podcasts and Spotify.