Viewing archives for Music

Festive traditions taking in church, charity and Christmas lunch helped bring the Autumn Term to a suitably seasonal end.

The Service of Nine Lessons & Carols at Chipping Barnet Parish featured Christmas music spanning the centuries. Boys and staff raised money for local charities seeking to help the disadvantaged. And the penultimate day of term brought the ever-popular full Christmas lunch in the Dining Hall.

Headmaster Neil Enright said: “We had a busy, enjoyable end to the term, with boys also taking time among all the festivities to remember those less fortunate than themselves. As we begin the holidays, I extend my very best wishes to all for Christmas and the New Year.”

At the Carol Service, the congregational singing began with Once in royal David’s city and ended with Hark! The herald angels sing. Interspersed were musical offerings from the Chamber Choir and the School Choir, including their respective renditions of the modern A Child is born in Bethlehem by Malcolm Archer and John Rutter’s Christmas Lullaby, as well as an introit by 16th-century Renaissance composer Palestrina, performed by the Chamber Choir.

The ‘nine lessons’ (Bible readings) were read by a boy from each year, including School Captain Aashish Khimasia, and by staff, culminating in the Headmaster’s traditional Christmas contribution from the opening chapter of St John’s Gospel.

The service was preceded by a short reception for staff past and present, and for governors, members of The Friends of Queen Elizabeth’s and alumni. The reception was held close to the parish church in Tudor Hall, Wood Street, the historic home of the School until it moved to its present location in 1932.

While charity work takes place throughout the year at QE, a special effort is made at Christmas, the traditional season of goodwill. This year, there was a collection for the local food bank and for a local homelessness charity. Boys and members of staff contributed over a week-long period, and a large volume of donations was made.

These charity efforts were organised by Head of Extra-Curricular Enrichment, Rebecca Grundy, with the assistance of prefects.

In addition, in line with recent QE tradition, boys from the School Choir went out carol-singing in aid of Cherry Lodge Cancer Care in Barnet.

It is beginning to look and sound a lot like Christmas at QE…with the School community gathering for the annual Christmas Concert.

The event featured a broad range of festive performances, from the traditional Coventry Carol to the considerably more modern Harry Potter Symphonic Suite.

Headmaster Neil Enright said: “This was a very enjoyable evening, with strong performances showcasing the considerable strength and depth of musical interest and talent at the School.

“There were a number of highlights, from the Symphonic Winds stirring performance of Cantique de Noel and the stylish playing of the Saxophone Ensemble of The Most Wonderful Time of the Year to the Barbershop’s unusual and very comedic version of The Twelve Days of Christmas.”

The event was presented in association with the Barnet Rotary Club, a partnership which has endured for many years, and was well supported by QE families, staff, governors, and a number of Old Elizabethans, as well as guests associated with the Rotary Club. The School also welcomed The Deputy Mayor of the London Borough of Barnet, Councillor Caroline Stock, and her husband, Dr Richard Stock, who is himself an Old Elizabethan.

Mr Jim McCarthy, President of the Barnet Rotary Club, welcomed the guests and spoke of some of the local charitable causes the club supports, including the Noah’s Ark Hospice and a Christmas Day party for the elderly.

The concert then began with All I want for Christmas is you from the Year 12 Ensemble, followed by O Come, All Ye Faithful, for which the audience were invited to join in the singing. The Senior Indian Ensemble performed Sabhapathiku; their performance was followed by Mr Santa from the B Minors. Have yourself a merry little Christmas from the Chamber Choir led into the interval, during which mince pies were offered to the guests and the traditional Rotary Club raffle was drawn.

The concert ended with the traditional carol, Hark! The Herald Angels Sing, in which the audience again participated.

This concert, along with the traditional Service of Nine Lessons and Carols at the parish church, is one of the two major musical events of the season.

Many of QE’s younger musicians performed in a concert entitled The Show Must Go On – the first of the academic year.

The Music Department event in the Shearly Hall featured around a dozen ensembles drawn heavily from the Lower School.

And even though one – the Guitar Ensemble – was unable to perform because of a technical problem, true to the theme of the evening the other performers valiantly played on to deliver the rest of the programme.

Headmaster Neil Enright said: “This was a very good concert, amply demonstrating the strength of Music at the School in both breadth and depth, as shown on the one hand by the high levels of musical participation – around 100 boys performed in the School Choir alone – and on the other by the talent that was so evident on the night.

“Music is a key part in the wider life of the School, and I congratulate the boys on their preparation and performances.”

Music teacher Jennifer Brown paid tribute to the boys playing publicly for the first time. She pointed out that many members of the Concert Band in particular had not yet progressed beyond grade 2, yet had performed well, the concert providing them with valuable opportunities to improve skills such as sight-reading.

The concert featured diverse music from the world of show business, including hits from The Greatest Showman (the 2017 musical film about American showman and circus impresario P T Barnum), the jazz classic, In The Mood, and, of course, the iconic Queen song borrowed for the concert’s title.

Other well-known pieces of music in the programme ranged from the Allegro in Mozart’s Eine Kleine Nachtmusik, performed by the Flute Ensemble, to the Pirates of the Caribbean theme tune, played by the Celli. The Junior Indian Ensemble performed Paapanaasam Shivan’s Singara Velavan.

Headmaster Neil Enright evoked Nelson Mandela as he urged QE’s young prize-winners to embrace both optimism and persistence.

Mr Enright congratulated the award-winners and explained how they could learn from the former South African President and 1993 Nobel Peace Prize-winner, speaking on what would have been his 100th birthday.

Almost 120 prizes were awarded at the 2018 Junior Awards Ceremony to boys from Years 7–9 across a broad range of categories that included not only academic subjects, but also House prizes and awards for sport, the performing arts and service.

The Headmaster pointed out that the boys receiving awards had achieved double success, firstly by securing a place at the School (more than 2,400 boys sat last year’s entrance examination) and then by winning a prize. “You have been the best of the best in your year groups for the respective subjects, extra-curricular activities and contributions to school life for which prizes are being given. You should therefore be very proud of what you have achieved,” he said.

Just as Mr Mandela had spoken of “keeping one’s head pointed towards the sun, one’s feet moving forwards”, the boys should “keep taking those forward steps” and should also be “highly, but realistically, ambitious”.

Warning pupils against “complacency and hubris”, Mr Enright added: “Being humble, modest and grounded – when coupled with hard work and an inner confidence – is a safe pathway to success, and these are characteristics happily common among QE boys.” And he alluded to Nelson’s Mandela’s axiom that “a good head and a good heart are always a formidable combination”.

The guest speaker at the afternoon ceremony in the School Hall was Old Elizabethan Daniel Isenberg (1999–2006), a young barrister who studied at Cambridge and Harvard and was also Judicial Assistant to Lord Sumption and Lord Carnwath at the Supreme Court.

Other VIP guests included Chairman of Governors Barrie Martin MBE and the Mayor of the Borough of Barnet, Councillor Reuben Thompstone.

The ceremony was enhanced by music performed by the boys, including three pieces from British composers – Samba Triste from Three Piece Suite by Sir Richard Rodney Bennett, Promenade from Le Tombeau de Couperin by John McLeod and Hypnosis by Ian Clarke.

The final vote of thanks was given by Ugan Pretheshan, winner of the Year 7 Public Speaking Award.

Afterwards, boys and their parents enjoyed refreshments with the Headmaster, staff and guests.

Stapylton House are the winners of the 2017/18 House Cup – reclaiming the coveted trophy from last year’s champions, Underne.

Stapylton’s victory means this House has now won the trophy – formally the Eric Shearly Memorial Cup – for three of the last four years.

The triumph was announced at the end-of-year House assembly, where the cup was presented to House Captain Oliver Than-Lu and his Deputy, Omar Taymani, both from Year 12 (pictured above).

Headmaster Neil Enright said: “My congratulations go to all Stapylton boys: this victory reflects their consistency of achievement in extra-curricular enrichment activities across the academic year, with the older boys’ efforts being boosted by a particularly strong Year 7 cohort. I trust that boys in other Houses will be inspired to redouble their efforts next year to challenge Stapylton for the crown.”

The assembly celebrated outstanding performances over a wide range of fields, including the performing arts, sport and charity work.

For this year’s House Drama competition, participants were challenged to produce original plays on the theme of a dystopian future: Leicester won the competition for the third consecutive year.

The House Music competition was won by Pearce.

In chess, the winners of various competitions were honoured, as were the boys chosen to receive junior, intermediate and senior colours.

Similarly, the assembly highlighted the names of boys who had won colours for music and sports.

There was a review of performances in sport throughout the year, including cricket, rugby, water polo, swimming and athletics. One innovation was the announcement of ‘teams of the year’ for cricket and rugby, which included leading performers from all year groups.

House charity fund-raising events during the year were celebrated, together with the work done to support the Sri Sathya Sai English Medium School in Kerala, India, with which QE has enjoyed a longstanding partnership.

Participation in The Duke of Edinburgh Award at QE remains strong: 100 boys from Year 10 enrolled for the bronze award in October and are due to complete their Qualifying Expedition in August, it was announced, while 34 Year 11 pupils signed up for the silver award and 18 Year 12 boys for the gold.

The assembly also recounted details of:

• The various challenges run on a specially arranged House Afternoon
• The QIQE quiz, which was by Stapylton
• A number of House competitions run by the academic departments: these included, for example, a Languages competition to design a poster about a famous and influential linguist, which was won by Year 8 Stapylton pupil Jashwanth Parimi, and a photography competition for Years 7–9 run by the Geography department.

Alumnus and former QE teacher Tim Adnitt is now firmly established with a multinational music technology company, while continuing to work very successfully as a record producer and sound engineer.

Tim (OE 1988–1995) is a Product Owner for Native Instruments, leading teams in London and Berlin for the German company, which creates software and hardware for computer-based audio production.

He has also worked on several award-winning albums, including Saluting Sgt. Pepper by British musician Django Bates, in collaboration with Frankfurt Radio Big Band and Eggs Laid By Tigers. This creative re-imagining of the Beatles’ seminal LP was named The Times & The Sunday Times 2017 Jazz Album of the Year. As a composer, Tim has written music for the Royal Opera House, the Royal Shakespeare Company and the Globe Theatre.

His work centres on Komplete Kontrol, the award-winning keyboards used by many of the world’s leading composers and producers including Stevie Wonder, Herbie Hancock, Jean-Michel Jarre, Hans Zimmer, Junkie XL, John Powell, Noah Shebib, Jacob Collier and Justin Kauflin.

He played a key role in the creation of Native Instruments’ Native Kontrol Standard (NKS), the de facto industry standard for browsing and hardware control of virtual instruments and effects.

Tim is known as an advocate for accessibility in music technology, working to promote a change in mindset across the industry towards musicians and producers with disabilities. He co-designed Komplete Kontrol’s accessibility features for visually-impaired musicians. Tim has spoken at numerous events and conferences around the world on this topic, including: last year’s Audio Developer Conference in London; Moogfest 2018 in North Carolina, USA (where he co-presented a workshop with Stanford University’s Thinking Matters Fellow, Tiffany Naiman), and Berklee College of Music Accessibility Conference 2018 in Boston, USA.

He is supported at Native Instruments by fellow Old Elizabethan and former Music Technology student Adil Ghanty (2003-2010), who joined the company in summer 2015 – an appointment that is “testament to the strong tradition of Music and Music Technology at QE,” Tim says.

After leaving QE, Tim read Music at City, University of London, before going on to take a Master’s degree in Composition. Tim taught Music Technology at the School between 2005 and 2014.