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George Mpanga is among only a handful of voices to be heard on the Duke and Duchess of Sussex’s widely publicised first podcast, which has been issued following the royal couple’s deal with Spotify.

For the first episode of Archewell Audio, Megan explains, she and Prince Harry decided to enlist “a few friends and a lot of other folks” who “we admire, and get their thoughts on what they learned from 2020”. George (OE 2002-2009), whose relationship with Prince Harry stems from his long-standing role as an ambassador for one of the prince’s charitable foundations, joined singer Sir Elton John, American politician Stacey Abrams, presenter James Corden, and tennis player Naomi Osaka in making his contribution.

The invitation from Harry and Meghan capped a momentous year in which George the Poet has rarely been far from the headlines: he has frequently been called upon to comment and reflect on both the Covid-19 crisis and the Black Lives Matter protests.

In the past few days, he also had a big announcement of his own to make: through his Instagram account, George revealed that he had become engaged to Sandra Makumbi, who is Head of Operations at his company, George the Poet Limited. “I proposed to my best friend and she said YES!” he wrote. “Glory to God for this fairy-tale engagement… you’ve made me laugh every day since school, you’ve always uplifted and protected me, now all I want to do is take care of you for the rest of my life.”

During his recording for the royals’ podcast made earlier in the month, George, in fact, revealed his plans to get engaged  – “I would love to give a shout-out to my beautiful fiancée, Sandra” – and was duly congratulated by both the Sussexes.

In line with the royal couple’s brief, George reflected on 2020.  “This year to cope with all the change, I just took more pride in the little things – I had a deeper appreciation for going out for a walk, being able to see my loved ones, and thinking about these things consciously really opened my eyes to what was right in front of me.

“One of the hardest moments for me this year was when a loved one, who was pregnant at the time, was hospitalised with Covid and forced into an early delivery. Fortunately, she made it, the baby made it too; they are now happy and healthy, but that was quite a scary moment.”

He recalled the joy of a family birthday: “My little brother turned 23 this year. That was one of those moments: we were all on the call, six of us kids and that was one of the first times when we all got to really ‘touch base’ and it was just fun…it was like being in the room as kids again, even though we’re in different rooms as grown-ups now. That was beautiful.”

George’s family have often been uppermost in his mind in his public appearances during the year. In April, when the UK was in the grip of the first coronavirus lockdown, he paid tribute to NHS workers “like my mum” in the short poem which he performed at the opening of BBC One’s coverage of the international One World: Together at Home concert.

The following month, his acclaimed podcast,  Have You Heard George’s podcast?, was nominated for, and subsequently won, a Peabody Award – one of the world’s oldest and most prestigious media prizes. His was the first British podcast ever to receive a nomination for a Peabody Award.

In June, with the Black Lives Matter protests at their height, George was repeatedly sought out for his views by the media, appearing as a panellist on BBC One’s Question Time , an interviewee on the corporation’s Newsnight and as a guest at the online MOBO awards, to name only three examples.

His links with Prince Harry date back some years. The prince’s Sentebale charity supports the mental health and wellbeing of children and young people affected by HIV in Lesotho and Botswana. George had seen at close-hand Harry’s warmth and compassion in meeting the children helped by Sentebale and became an ambassador for the charity in 2015.

When the royal engagement was announced, George was one of the commentators interviewed by the BBC for an insider’s perspective. He was then chosen by the BBC to perform his poem , The Beauty of Union, to introduce coverage of the 2018 wedding of Harry and Meghan and was therefore seen by a global TV audience numbering hundreds of millions.

Although day-to-day use of The Queen’s Library is currently restricted to the Sixth Form ‘bubble’, other QE boys are not missing out, thanks to an innovative ‘Click & Collect’ service.

All younger boys – from Years 7 to 11 – can easily access the reading material they want by first making a reservation on the School’s eQE online platform, and then coming along in their year group’s time slot to pick up their books. This is done from a designated area just outside the Library. They can use the same time slot to return books, which are then quarantined in a sealed container.

The service is proving popular, with the number of book loans – not including e-books, which are available on another platform – already well into four figures.

Head of Library Services Surya Bowyer said that introducing the Click & Collect service had necessitated some big changes in the Library, but he added: ““All in all, The Queen’s Library may have fewer people physically in it at the moment, but that’s not stopping us from continuing to provide resources to the whole School.

“It is great to be able to provide boys with access to the physical books again. And it is encouraging to see so many boys taking out books, even though the borrowing process is a bit more complicated this year.

“The new arrangements have also only further underlined the importance of online resources, and have motivated us to begin offering e-books as well as physical books. Through a separate new platform, we allow boys to ‘borrow’ e-books in a similar way to physical books, and to read them across their devices without losing their place.

“However, whereas some are happy with e-books, others seem to  prefer physical books. It is good to be able to provide both!” Mr Bowyer said.

The Click & Collect service encompasses not only books, but also magazines and publications such as comics, manga and graphic novels. To ensure the new arrangements remain safe, the librarian and boys are all required to wear masks, with hand sanitiser in frequent use.

Earlier this term, the Library also deployed technology to introduce the new Year 7 boys to its services, with Mr Bowyer producing a video to show the range of resources available.

Year 8 geographers have been getting creative as they grapple with the possible future effects of unchecked climate change.

The boys spent the first half of this term studying the topic, with many entering a QE competition challenging them to compose a poem or short story describing the world in the year 2100, when the world has warmed by 2 degrees.

The Geography department teamed up with Head of English Robert Hyland to judge the entries. Keon Robert has now been announced as the winner in the short story category, while Shreyas Chandrasekar was adjudged to have submitted the best poem.

Emily Parry, Head of Geography, said: ‘I was very impressed with the standard of submissions and the boys’ awareness of the potential impacts of climate change. The creative poems and stories clearly highlight the threat that climate change poses for all of us.”

The competition results were announced as the British Government unveiled its plan for a “green industrial revolution”, bringing forward a ban on petrol and diesel cars and announcing other measures, such as an expansion of offshore wind, hydrogen and nuclear power generation.

In his story, entitled Our Planet is on Fire, Keon imagined a dystopian future in a polluted city of 3 billion souls, its population swelled by immigrants from other countries seeking refuge from the effects of climate change.

There is no respite from the gloom: the story ends with the protagonist attending a meeting at his factory which, as he suspected, is to be closed down, as the authorities  try desperately – “too little, too late” – to deal with the crisis.

He reflects ruefully on the missed opportunities to deal with climate change that had brought the world to this point: “We knew it was going to happen, but we never did anything about it. In the end, it strikes us when we least expect it.”

Most of Shreyas’s poem is equally bleak – “none of us will survive” – and he adds anger into the mix:

Throw your wrath, your fury, your ire
To those who destroyed our Earth

But his work, entitled Every Little Helped, ends with just a hint of optimism, the voice from the future warning us that all may not yet be lost:

It’s time to act, to change, to make a better choice,
Or there will be no Earth left at all.

Riyan Siyani, who took second place in the poetry category, imagines how his grandchildren’s generation might look back on the present day:

It is the year 2100,
Nothing is the same, all hope has been squandered
We look back to the year of 2020
And remember how food was aplenty.

The runner-up in the short story category was Adam Liang, who draws out the effects of climate change on nature and on different groups in society, including the young – “babies are crying constantly…children complaining that it’s too hot” – and the old – “the first to go…they wasted and wilted away, just like dead flowers in the wind”.

• Main image above by Tumisu from Pixabay

The English department celebrated National Poetry Day by putting together a collection of QE teachers’ favourite poems which included verse that was variously inspiring, thought-provoking and just sheer fun.

Staff from across the departments took part, showing pupils that poetry is enjoyed by teachers from all subject areas. Boy were invited to approach them during the day and ask them about their choices.

The selected poems ranged from ancient to modern, from the emphatically high-brow to some much-loved examples of nonsense verse.

The anthology included poems by two Old Elizabethan poets, George Mpanga (George the Poet, 2002–2009) and QE’s poet-in-residence, Anthony Anaxagorou (1994–1999). Anthony, who runs a weekly poetry workshop for the boys, gave his reaction to the National Poetry Day initiative: “The students of ‘QE Boys’ continue to show a great appetite and appreciation for poetry, which is so heartening to see.”

Head of English Robbie Hyland explained why he had asked colleagues to reveal their favourite lines: “Everyone has a connection with poetry at some point in their lives – we read poems as children, study them at school, and encounter them throughout everyday life. I hope that by sharing poems that resonate with us, we can spark conversations about the values, ideas, and memories that matter to us as individuals.

“The staff have nominated an incredibly wide-ranging selection, from poems that inspire, to poems that address problematic issues in the modern world. I’ve really enjoyed reading the selections which teachers have nominated.”

Boys were informed about the plans for the day during registration, when they were shown a PowerPoint presentation of the teachers’ choice of poems and led in a brief discussion. In total, some 45 poems were picked by 34 teachers.

Here is a selection:

• Grounded, by Anthony Anaxagorou: chosen by Headmaster Neil Enright
• Poem 85 (ōdi et amō), by Catullus: chosen by Mr Hyland
• The Road Not Taken, by Robert Frost: chosen by Technology teacher Sean Kelly
• Home by Warsan Shire: chosen by Deputy Head (Academic) Anne Macdonald
• First They Came, by Martin Niemöller: chosen by History teacher Akhil Gohil
• Errinerung an die Marie A., by Bertolt Brecht: chosen by Languages teacher Rebecca Grundy
• Ozymandias, by Shelley: chosen by Head of Library Services Surya Bowyer
• He is blessed as a god by Sappho: chosen by Assistant Head (Pupil Involvement) Crispin Bonham-Carter

The top photos show Year 8’s Pranav Challa and William Fawcett asking History teacher Simon Walker and Geography teacher Helen Davies about their choices of poem – T S Eliot’s Macavity: the Mystery Cat and Lewis Carroll’s Jabberwocky respectively – with Mr Hyland also joining them for the chat.

The full selection of the teachers’ chosen poems has been added to the School’s eQE digital learning platform, where there is also a National Poetry Day resource to encourage further exploration of poetry.

A poem by QE pupil Surya Senthilkumar is being published this month in a special anthology created to raise spirits during the coronavirus crisis.

Year 8 boy Surya’s poem, The Pathway to Triumph!, was selected to feature in an international collection of writing from the Young Writers organisation entitled Write To Unite – Together We Stand.

Young Writers Editorial Manager Jenni Harrison said the anthology aimed to “spread positivity, give thanks, share stories, purge worries and record [contributors’] thoughts during lockdown.

“It’s history in the making and will make an incredible keepsake of an unprecedented time,” she said, adding that more than 4,000 adults, children and families had been involved in the project, contributing writing in various genres.

Surya’s 10-line poem, which is set out below, includes a call for unity – “Only as one will we overcome this disaster” – and a paean to front-line workers battling the virus – “Let us praise the NHS staff at toil”.

Asked for his reaction to his success, he adapted the last line of his poem, saying: “Endeavour from the beginning, and you shall succeed till the end!”

Surya’s triumph comes as GCSE poetry workshops led by QE’s poet-in-residence Anthony Anaxagorou get under way at the School again, helping to develop boys’ creative thinking and writing skills ahead of their English GCSE. Old Elizabethan Anthony (1994–1999) made headlines last month when he spoke out against a Government announcement that poetry was to become optional in next year’s GCSE English examination.

For every copy of the book sold by Young Writers, £1 will be donated to NHS Charities Together. Young Writers is an organisation that has been promoting poetry and creative writing within schools and through poetry competitions for the past 29 years.

The Pathway to Triumph

For the nation, we have loved for years,
Our faith and effort shall polish away the tears,
Thy actions must roar wiseness and care,
Avoiding the faces of sorrow and despair,
Only as one will we overcome this disaster,
By being resolute we can prevent the spread faster,
Let us praise the NHS staff at toil,
Valiant and loving, holding our nation up like soil,
So, let us conquer this misfortune together,
By being wise and cooperative, we continue to endeavour!

Old boy and QE poet-in-residence Anthony Anaxagorou has spoken out against this week’s Government announcement that poetry will become optional in next year’s GCSE English examinations.

Anthony was quoted by the BBC in its report on reaction to the announcement from examinations watchdog Ofqual, while his fellow Old Elizabethan, George the Poet (George Mpanga 2002–2009), was also pictured and mentioned in the article.

And Headmaster Neil Enright said today: “Poetry is, and will remain, core to the curriculum at QE. Throughout last term’s remote learning, staff ensured that poetry kept its important place in lessons delivered through our eQE virtual learning platform.

“We also found that encouraging boys to compose their own poems was a very stimulating, creative activity for the lockdown. And prior to the pandemic, Anthony’s workshops were always a popular draw for the boys.”

Ofqual originally proposed that there would be no changes to the English literature GCSE examination in 2021, but, following a consultation in which some respondents argued that it was hard for pupils “to get to grips with complex literary texts remotely”, the organisation has now said schools can focus on a smaller number of texts.

All pupils will have to write about a Shakespeare play, but they can choose two out of the three remaining content areas: poetry; the 19th-century novel and post-1914 British fiction and drama.

In response, Anthony (OE 1994–1999) said: “Poetry shouldn’t be regarded as an analytical exercise, a response to memory, a means of introducing literary device. Poems do so much more, getting into spaces [and] subjects other modes of language can’t.

“Presenting it as an ‘option’ does nothing but reduce its cultural value more.”

During the Summer Term, School departments including English and Modern Languages ran a number of poetry competitions, and boys’ poems were published in The Arabella – a magazine featuring the work of pupils which is published by the boys.

Teachers found ways to teach poetry remotely, with, for example, the English department making extensive use of pre-recorded video with Year 12 classes, particularly for challenging passages in Shakespeare, Chaucer and the poetry of Wilfred Owen.