Academic Makoto Takahashi, who has earned an international reputation for his research into the Fukushima Daiichi nuclear power plant meltdown in Japan, has curated an exhibition on the disaster, which is being shown at the Royal Geographical Society.
The exhibition, which runs until 23rd December, marks the tenth anniversary of the meltdown, and of the earthquake and tsunami that triggered it. Visitors have included a party of A-level Geography and Art students from QE: Makoto treated them to a lecture on the exhibition and also gave them a guided tour.
Makoto (OE 2003–2010) is the youngest-ever lecturer at the Munich Centre for Technology in Society (MCTS), part of the Technical University of Munich, a position he gained in 2019. A previous holder of a Science and Technology Studies Fellowship at Harvard, he will be returning to the Harvard Kennedy School of Governance as a Fulbright-Lloyd’s Fellow in early 2022.
For the past eight years, his work has focused on examining how expert authority is claimed in conditions of low public trust. Considered somewhat niche when Makoto first proposed it as his field of study in 2013, its relevance became apparent in 2016 with the election of President Donald Trump.
“In fact, I was at an OECD Nuclear Energy Agency event in Fukushima prefecture on the day that Trump was elected,” he says. “The shock was palpable. And the parallels between the crisis of confidence that Japanese experts faced following ‘3.11’ [the earthquake and tsunami took place on 11th March 2011] and the ‘post-truth’ political moment were clear.”
The exhibition, entitled Picturing the Invisible, sees his research interests coming together with his longstanding involvement with the London art scene: while in the Sixth Form at QE, he took part in in the Royal Academy’s attRAct programme and in the Louis Vuitton Young Arts Program; he has also been an Event Manager at the OPEN Ealing community art gallery.
It features the work of six photographers complemented by a series of short essays from policymakers, experts, and activists. The contributors include some “wonderful artists and essayists”, says Makoto, such as: Lieko Shiga, a photographer based in Kitakama, a village hit hard by the tsunami; Yoi Kawakubo, who buries silver halide film in the contaminated soils of Fukushima’s exclusion zone to produce a powerful series of abstract images, and Sir David Warren, British Ambassador to Japan, 2008–12.
A collaboration between the RGS and the Munich Centre for Technology in Society, the exhibition has secured coverage in publications including The New Statesman and The British Journal of Photography.
In preparing for it, Makoto says he has been committed to pedagogic innovation to benefit students disadvantaged by the impact of Covid-19 on higher education. “The pandemic has robbed students of so much of the normal university experience, so it’s even more important than ever to innovate new modes of engagement. In this spirit, I integrated preparations for Picturing the Invisible into my teaching at MCTS. Seven students from the Responsibility in Science, Engineering and Technology course have been involved in every step of the planning and [have shared] their perspectives on the works in the exhibition programme, alongside seasoned policymakers, activists, and experts.”
After leaving QE, Makoto took a First in Geography at Cambridge, winning the M T Dodds and Rowley Mainhood Awards for academic excellence during the course of his degree. He went on to gain his MPhil and PhD from Cambridge, where his doctoral studies were funded by the Economic and Social Research Council.
While there, in addition to lecturing, co-ordinating undergraduate groups and working with the university’s Communications Office to produce podcasts for a non-specialist audience, Makoto also served as the secretary of the Mixed Martial Arts Society (CUMMA).
In 2017, he spent three months as a Visiting Research Fellow at Tokyo’s Waseda University, where the proximity to Fukushima proved valuable. “I had the opportunity to interview notable public figures in the Fukushima debate, making regular trips to Fukushima prefecture itself.”
His thesis, The Improvised Expert: Performing Authority after Fukushima (2011–2018), drew upon his own extensive ethnographic fieldwork conducted in Japan; it won the American Association of Geographers’ Jacques May Thesis Prize.
He has presented his work at the Maison Francais d’Oxford (at the invitation of the French Ministry for Europe and Foreign Affairs), at the British Embassy in Paris, CEPN (Le Centre d’étude sur l’Evaluation de la Protection dans le domaine Nucléaire – a non-profit radiological protection organisation) and gave a paper at a conference organised by the International Commission on Radiological Protection to examine the lessons of the Fukushima Daiichi disaster.
During his schooldays, Makoto threw himself into all that QE had to offer. He was involved in debating, was the leader of the second violins in the Chamber Orchestra and was in the waterpolo team.
Today, he is still in contact with School friends Eigo Takeda, who read Mathematics at Cambridge before taking up consultancy work in Japan, and Evgeny Slavin, who works in venture capital in Cambridgeshire.
Having previously worked towards a commission with the British Army Reserve, he has had to pause his involvement with the reserves while working outside the UK.
Since switching careers in 1980, he has not only greatly expanded Smiths Coffee Company, but has also established himself as an international award-winning expert in specialist coffee, while putting his expertise to use in charitable and philanthropic work, too.
He remained there for two years, quitting in mid-2015 to go travelling for a year with Rhea Wolvekamp, who is now his wife. “We started in Thailand and went to Malaysia, Singapore, Indonesia, the Philippines, Myanmar, India, China, Hong Kong and Japan.”
He has worked on some of the world’s biggest and most infamous spills, such as Exxon Valdez in Alaska in 1989 and the Deepwater Horizon BP disaster in the Gulf of Mexico in 2010.
“Luck? Good fortune? No, not really. As many people have said I wasn’t lucky, but I worked hard – and I also would have to add that many people worked very hard on my behalf: my parents and the teachers at QE, especially my House Master, John (‘Poker’) Pearce, and subsequently a couple of mentors who shaped my professional career.
“Most of the group at that time were Arsenal supporters because that was the nearest football ground from Barnet by British Rail. I don’t understand why, but a couple of our contemporaries actually supported Chelsea or, even worse, Tottenham! Sadly, Charlie Eggington, the Underne House Captain who followed me, is a Spurs supporter – clearly I failed in that part of mentoring him.
His first experience as an oil spill first responder came in March 1970 at an oil tanker spill in Nova Scotia, Canada. It was five years after this that he completed his PhD at the University of South Carolina in 1975.
“But,” he adds, “I always seemed to managed to arrange my schedule to be on a business trip so that I could be in London during the first week in December for the Annual Brewer’s Dozen Dinner, joining a motley group of 15 friends – mainly 1962-65 First XV rugby players – which included two School Captains, multiple House Captains and even one person who did not go to QE! Such was the bond formed at the School – quite remarkable. The chain was not broken even in 2020, but then it had to be by Zoom.”
From the very start, we faced rapidly changing circumstances, firstly gearing up to run a testing programme in early January, and then having to put it on hold at the eleventh hour as the country abruptly entered a further lockdown and we reverted to remote learning for all the boys.
We have maintained an extra-curricular programme, adapting activities as necessary so that we can continue with as many of them as possible. The 2021 QE University Convention, held over the final week-and-a-half of term, is a fine example of the way in which we have ‘flexed’ to ensure that important events in the School calendar are retained in order that pupils do not miss out on opportunities.
Another major event that was run in adapted form was this week’s Senior Awards. I reiterate the congratulations I offered at the dual ceremonies to all our prize-winners from Years 10–13.
Through all the turmoil of recent months, work on the Music School building project has continued unabated, and we remain on schedule to open this exciting new facility in the autumn of this year.