Two very different London trips provided fresh inspiration for QE’s musicians: a visit to a hit West End musical brought a GCSE set piece to life, while the opportunity to play one of the capital’s great organs deepened keyboardists’ appreciation for the instrument.
Year 10 Music students headed for the Apollo Victoria Theatre, where they watched the award-winning musical, Wicked. One of the show’s most iconic numbers, Defying Gravity, is a GCSE set work.

On their trip, members of QE’s Organ Club not only played the historic four-manual organ at Methodist Central Hall, Westminster, but also heard an internationally acclaimed organist perform in the City of London in what is believed to be the world’s longest-running organ recital series.
Headmaster Neil Enright said: “The happy circumstance of QE’s location within easy striking distance of central London means that when we plan trips, we can take full advantage of all the wonderful possibilities that the capital has to offer. These two trips are a great example of that.
“As our GCSE Music students attested afterwards, there’s really no substitute for experiencing a theatrical piece in its original dramatic context. For our organists, playing on Westminster Central Hall’s magnificent organ was not only thrilling in itself, but also enhanced their ability to adapt to different instruments – an important musical skill.”
Wicked, with music and lyrics by Stephen Schwartz, has been running at the Apollo Victoria since 2005. It is based on a 1995 novel by Gregory Maguire, which was derived from a 1900 novel, The Wonderful Wizard of Oz. Known in full as Wicked: The Untold Story of the Witches of Oz, the musical explores the relationship between the witches. Defying Gravity forms the finale to Act One.
Assistant Director of Music Caroline Grint said that experiencing the work on stage helped the boys develop a deeper understanding of the music, its dramatic purpose, and its emotional impact, supporting their GCSE studies.
The pupils reported afterwards that they had found the trip both enjoyable and inspiring. Aaditya Pimple said: “It is the first time I have seen Wicked. It gave me context about the story, and it was interesting seeing the instruments in the pit band.” Zhekai Mao added: “It made me appreciate live performances, after only ever watching movies on a screen. We now know the entire storyline and how it is set to music, supporting our GCSE work.”
Eight organists and 13 pianists from the Organ Club visited Methodist Central Hall, which hosted the first session of the United Nations General Assembly in 1946.
Each pupil performed a prepared piece on the organ, which was built by Hill & Son in 1912, rebuilt and enlarged by Rushworth & Dreaper in 1970, and had its layout altered by Harrison & Harrison in 2010–2011. The boys received expert advice from the hall’s Director of Music, Gerard Brooks, on both registration and performance.
Assistant Director of Music Jas Hutchinson-Bazely said: “I am incredibly grateful to Gerard Brooks for his invitation and kind words of encouragement for our pupils. Adapting to new and unfamiliar instruments is an essential skill for an organist, and our pupils rose to this challenge admirably. These experiences are invaluable for our young players, and they are incredibly fortunate to play on one of London’s most significant instruments.”
The visit continued with the recital at St Michael’s, Cornhill. The church has a foundation dating back to before the Norman Conquest; its present building is traditionally attributed to Sir Christopher Wren. Its organ is another famous London instrument, with origins dating back to 1684. The recital series began in 1914.
The recital the boys listened to was given by English organist and recording artist, Christopher Herrick. His programme showcased contemporary organ repertoire.
“As well as hearing a performer of the highest calibre, pupils were reminded that organ music is not only a rich historical tradition but also a vibrant and evolving art form,” Mr Hutchinson-Bazely said.
The pianists and organists who went on the trip were in no doubt as to its benefits:
- Justin Lo, Year 7: “It gave me the chance to look at two beautiful organs as well as play a piece on one of them – a great opportunity that has definitely inspired me to learn the organ.”
- Anay Banerjee, Year 8: “I think that I really learnt a lot about real-life organs, how each one is different and unique, and also how it felt to play one in real life.”
- Parth Gulati, Year 7: “I particularly enjoyed playing at Methodist Central Hall, as I have never played on such a big organ.”
- Kai Nam Tsang, Year 8: “It was a great feeling to be able to play on the organ, especially such a large and grand one with so much history behind it.”
QE’s professionals in The Queen’s Library worked alongside the pupil librarians to whittle down the long list of more than 300 books nominated by students and staff to the final 100.
Here are just a few of the authors who feature: Shakespeare; C S Lewis; Jules Verne; Michael Morpurgo; Harper Lee; J R R Tolkien; Robert Harris; Ray Bradbury; Charles Dickens; Yuval Noah Harari; Marcus Aurelius; Barack Obama; Jordan Peterson; Fyodor Mikhailovich Dostoevsky; Marcus Rashford; Homer (with The Iliad available both in Rosemary Sutcliffe’s retelling and in unabridged form); Suzanne Collins; Seamus Heaney & Ted Hughes; Antoine De Saint-Exupéry; Mark Haddon; and Rory Stewart.
Aaryan’s Honourable Mention for his essay comes just weeks after
The boys and girls from the Institution Saint-Pierre gave free rein to their creative side in activities that included a hip-hop workshop held just for fun, as well as an English literature and poetry class led by Head of English Robert Hyland.
“They stayed with QE families, benefitting from language immersion, and had the chance to participate in classes with their QE correspondents, who are drawn from Years 8 and 12.
“By the time boys become A-level linguists, they are fully conversant, and confident in their speaking, reading and writing skills.”
The competition involves debating complex and thought-provoking motions entirely in French.